…is definitely the rewrite.
There’s not a whole lot of fun involved in fighting and cajoling your characters into behaving
write I mean ‘right’ on page. Sometimes they barely want to speak or do things according to your rules/philosphy/hopes/whatever…. in other words, it can be tough getting them to do what you – get this – thought you wanted them to do. As my fellow writers out here know, writing is sort of like driving a car with little-to-no power steering; it will make a new path all on it’s own if you don’t force your will.
But, hooray! The rewrite straightens out that horribly obstinate, meddlesome cast member and the boring, nondescript imagery. It’ll make that conversation far more intriguing than anything you’ve ever observed in your entire life! And suspense is not really suspense until your palms are sweaty and your heart is thumping wildly. The draft may get the gist of it, but the rewrite perfectly captures it and delivers scenes that convinces your reader to the hilt.
So, as I wind up my novel, Quiet, I salivate over the promise of meeting it again down the road, from a fresh and objective point of view. This time I’ll be holding my finger near the delete button and armed with more choice ways of showing, speaking, and revealing it’s imaginary world.
In the world of writing, for many, the rewrite is where the real fun begins.
A musing from the…
Voice Of A Writer